Comm. Failure’s Top 15 Albums of 2023

Ok, it’s early April 2024 and I should have posted this three months ago, but well, procrastination is now high on my list of adversities. 😉

But I need to do this to start posting about 2024!!

15. Wilco: Cousin

It’s good to be alive. It’s good to know we die. It’s good to know.” Jeff Tweedy sings at the end of their first track, Infinite Surprise from “Cousin,” over a cacophony of what sounds like horns, violins, tin foil… God knows, but it works. Thanks to Cate le Bon, who Jeff Tweedy & Co. have used for what I think is Wilco’s best album since “Sky Blue Sky.” 13 albums in, and after last year’s very country “Cruel Country,” this is a weird change. But it isn’t. Because despite Le Bon’s production, this is still very Wilco, pick your period, Wilco. It is weird Wilco at times, and it is ordinary Wilco at their very best. No matter what, “Cousin” is great Wilco.

I’ve always been afraid to sing. That’s a little thing. Somehow, that’s all I do.” Tweedy quietly sings in lovely Pittsburgh. At 56, I do so hope he continues.

14: RAYE: My 21st Century Blues

RAYE jumped out of the blue, “My 21st Century Blues” being her debut album. She starts with the intention: “All the white men CEOs, fuck your privilege” on Hard Out Here, and from here on, this is great, empowering stuff, which is hard not to like. Black Mascara and her UK #1 hit, Escapcism, follow suit, and it’s hard, despite challenging tracks like Mary Jane about substance abuse… 

This is all catchy, soulful music, and while she exhales, “I’ve waited seven years for this moment,” on the outro, Fin…

I want more.

13: Sufjan Stevens: Javelin

Javelin” comes as a spiritual survivor to my favorite album of 2015 – “Carrie and Lowell” – written by Sufjan Stevens following the death of his mother. Now, with “Javelin,” we have from its creator, who revealed he was recovering from an autoimmune condition while recording it (Guillain-Barré Syndrome).  

He also lost a lover. So You Are Tired displays the mess and the complications of being in a relationship. It is brutal. “So you are tired of me, so rest your head, Turning back all that we had in our life while I return to death.

To say it explores grief and loss is an understatement. It isn’t the easiest of listens, but it is beautiful and emotional. He appropriately finishes with a lovely cover of Neil Young’s There’s a World. It has made me love the original (from “Harvest Moon“) even more. That alone is an achievement.

12: Grouplove: I Want it All Right Now

Sunny, sunshine, fuzzy alternative pop from the San Fransico outfit – their sixth. They don’t take themselves seriously other than wanting to please their fan base, which isn’t a bad thing.

A lot of that comes from the leads, Hannah Hooper and Christian Zucconi, who share vocals and are married. It’s very 1990s alternative pop/rock (I’ve seen many comparisons to The Pixies, The Breeders, and The Flaming Lips).

But it’s fun, and this album didn’t disappoint me. Not one bit.

11: Depeche Mode: Memento Mori

It’s both horrible and strangely incredible. The death of Andy Fletcher in May 2022 – I thought – was the end of Depeche Mode, one of the bands I grew up with and love so dearly. But after 2017’s “Spirit,” Dave Gahan and Martin L Gore decided to continue, which is an album that has death poured over it, though funnily, it works out to be one of their most uplifting albums in… a decade. 

They both sound great. The songs are all good, particularly standout tracks like Ghosts Again, My Favourite Stranger, and Wagging Tongue. The final track, Speak to Me, is a killer, with the lyrics “I will disappoint you. I will let you down. I need to know you’re here with me. Turn it all around.

They miss Fletch. That’s apparent throughout the album, which is a testament to him. “Time is fleeting,” Dave sings in Ghosts Again. 

It can also be moving, and this proves it.

10. Belle and Sebastian: Late Developers

I didn’t expect to like this album as much as I did. At all.  

Glaswegian band Belle and Sebastian have also been in my category of “nice to listen to” but not “essential to listen to” (blasphemy, I know). But there is something about this album.

When We Were Very Young has the chorus, “I wish I could be content with the football scores. I wish I could be content with my daily chores. With my daily worship… of the sublime.”

It’s all so thoughtfully poppy; I guess that is a trademark of the band –  twee pop nostalgia and innocence are nearly omnipresent in their discography.

Late Developers” is a solid set of classic Belle and Sebastian-style tunes that highlights the group’s take on modern indie styles – while not glossing over what made them so charming in their heyday.

9. Margo Price – “Strays II”

Nashville-based Margo Price displays her finest country music at its core with “Strays II“. Full stop.

I would have been happy with “Strays,” but she re-released the album in October 2013 with nine extra tracks, including the rockier Strays.

As it goes, Price and her husband (Jeremy Ivey) went to a South Carolina beach in the summer and took a six-day mushroom-filled trip looking for insights and inspirations. She also tee-totalled. The result is really great.

Whenever I listen to Margo, I think “She knows what she is doing.” Her voice is rich and expressive, bringing a blend of vulnerability and strength.

If you’re not listening to Margo Price, you’re missing out.

8: Blondshell: Blondshell

Blondshell’s self-titled 2023 debut will check all of your indie-rock pleasures.

New York-born and raised Sabrina Teitelbaum, now known as “Blondshell“. And her 2023 debut as Blondshell is fucking fantastic if you like this sort of genre (coming from someone who likes all genres!)

It is only over 33 minutes and to the point. I like albums like that.

This sounds very, very 90’s alternative rock. Grungy. Hints of Hole, Smashing Pumpkins, and Alanis Morrisette abound. She’s said in an interview: “Typically, women are given permission to be sad, but there’s a lot of shame that gets attached to expressing anger. And as a combination of that cultural thing and my own personal hang-ups, I had never felt in touch with that side of myself. Unknowingly, I got in touch with that rage through the music. Just having said all these things it was like, it’s all on the table now: I feel lighter.”

It comes across so well – it’s an interesting listen and, in the end, one I found to be really enjoyable.

7. Olivia Rodrigo: GUTS

This album is so entertaining to listen to that I struggled with where to put it on this list. Olivia Rodrigo’s “SOUR” was so well-done and popular, winning awards all over the place in 2021, blah, blah, blah.

“GUTS” very much stands on its own. Rodrigo is a great singer songwriter and pulls no punches on her second installment.

Life can be crap. Life is crap? There is a whole range of emotions throughout this album which she plays and sings in such a great style.

I hate all my clothes. Feels like my skin doesn’t fit over my bones. So I guess I should go, the party’s done, and I’m no fun I know, I know” she sings in Ballad of a Homeschooled Girl, admitting in the end “Thought your mom was your wife. Called you the wrong name twice. Can’t think of a third line.

GUTS” is glorious, ambitious and at times made me feel like I was in my twenties again.

6. First Aid Kit: Palomino Deluxe (Child of Summer Edition)

I’ll admit I’m cheating a bit, as this album was officially released in late-2022 but re-released (and I discovered) in 2023.

But, it’s lovely. The Swedish sisters Klara and Johanna Söderberg sing amazing folk-pop tunes, with a sprinkle of Fleetwood Mac.

This album isn’t downbeat at all, despite a five-year hiatus post-pandemic break from their previous album, “Ruins.” 

As I said when I first reviewed it: Angel is perhaps one of the album’s best and most moving tracks, especially for those with anxiety issues. With lyrics: “So, give me love and give me compassion. Self-forgiveness and give me some passion. I’ll love you even if you don’t love me. I’ll love you, oh, can’t you see you’re free? Oh, angel, can’t you see you’re free?

They are brilliant, and this is a move away from their Americana beginnings into, hopefully, something completely different. I cannot wait to hear.

5. Foo Fighters: But Here We Are

Do I really have to say why Foo Fighters are in my Top 5?

Dave Grohl is brilliant, trying to overcome the death in 2022 of their drummer, Taylor Hawkins, to make this album.

It’s fantastic – cruelly, magnificently fantastic. 

Someone said I’ll never see your face again. Part of me just can’t believe it’s true. Pictures of us sharing songs and cigarettes. This is how I’ll always picture you.” from the album’s catchy second track, Under You.

Grohl resumes drumming duties for this album full of non-fillers: it is alternative, stadium rock at its finest. Having to get over grief is an uphill battle, and this album shows that while it can be difficult and cathartic, it is needed. As stated in Nothin’ At All,  “Lately, I know It’s everythin’ or nothin’ at all.

4: U.S. Girls: Bless This Mess

Meghan Remy’s 8th studio album, under her moniker, U.S. Girls – “Bless This Mess”, can be a mess, but she pulled off.

It is a bit of a mess at times – deliberately so? The funky as hell opener Only Daedalus is a great example. And my favorite other tracks, Tux (Your Body Fills Me, Boo) and So Typically carry that vibe.

No matter the mess, it’s an extremely interesting, fun but above all entertaining album to listen to – I cannot wait to see what she pulls off next.

3: boygenius: the record

This record is just damn good. The combination of these three so talented artists jells so well.

Not much to say but if you like any of them, please listen to this album.

Well, just listen to it anyway. It came out early in the year and I’m still listening to it in early 2024. My standout tracks are: $20, Emily I’m Sorry, Not Strong Enough and Satanist.

2: Caroline Polachek: Desire, I Want to Turn Into You

I didn’t expect to like this album so much but oh Lord, I did.

Caroline. Thank you.

It gets categorized as “art pop” but it’s really indie pop, in my opinion.

Hope you like me. You ain’t leaving.” she sings on the opener Welcome to My Island, which is a track I kind of think… if you like it, listen to the rest. If you don’t, then the rest may be a tough listen. It’s a great litmus opener start.

At one point, this was my album of the year with fabulous tracks like Bunny is a Rider, I Believe, and Billions. Until the next one.

1: Romy: Mid Air

She leaped out of the blue. I tried to see Tegan & Sara in Pittsburgh, but it was canceled at the last minute. So, I had a few days in Pittsburgh with my Apple Music and Spotify algorithms going into overdrive.

Up popped Romy, a member of the xx, who I had seen live in New York just after the release of their debut album. This is pure EDM and completely blissful. It doesn’t wear out. It’s welcome; something I’m always on the lookout for! But all of the songs are so catchy and blend so well. 

This was easily my favorite album of the year.

Chris Garrod, early April, 2024

Comm. Failure’s Top 25 Songs of 2023

https://cggarrod.dropmark.com/1606410

or

Yes, I love Romy 🙂

Chris Garrod, January 13, 2024

Review: Olivia Rodrigo’s “GUTS” is a Journey Through the Complexities of Fame and Growth.

I’ll start: God, this album is fun and good. “I know my age, and I act like it,” she sings on the opener, “all-american bitch.” 

Produced by Dan Nigro, the album is a collection of 12 tracks that weave together the narrative of a young artist grappling with the complexities of fame, love, and self-identity.

She is now just twenty-years-old, and GUTS follows her debut SOUR, which won Best Pop Vocal Album of the Year at the 64th Grammy’s in 2022 and was nominated for Album of the Year. She also won the Grammy for Best New Artist in 2022.

GUTS

So there is the psychology of the “difficult second album” worry. After winning so many awards with SOUR, could Rodrigo cope? There’s the expectation, the fear of self-destruct.

GUTS has been nominated for the same two categories two years later at the 66th Grammy’s in February 2024: Best Pop Vocal Album and Album of the Year.

Well, let’s brush away those “difficult second album” worries!

The songs

Bad idea right?“… listening to Rodrigo talk about her ex, with fun, layered vocals and humorous lyrics… “Seeing you tonight. It’s a bad idea, right? Seeing you tonight. 

(Fuck it, it’s fine.)”

Her lead single, “vampire” starts: “I used to think I was smart. But you made me look so naïve… Bloodsucker, fame fucker. Bleedin’ me dry like a goddamn vampire.”

I won’t mention every song here, but I have to mention “get him back!“, which is a revenge psycho anthem that suits the albums tone. With a lyric like “So I write him all these letters, and I throw them in the thrash, ‘Cause I miss the way he kisses and the way he may me laugh,” devolving into “I wanna meet to his mom … Just to tell her son sucks.” Well, there is a sense of humor there. And I appreciate it!

The kind-of Curish-sounding “pretty isn’t pretty” is one of the best-sounding tracks on the album, with its late 80s new wave-style chords and lyrics: “And I bought all the clothes that they told me to buy. I chased some ideal my whole fucking life. And none of it matters, and none of it ends. You just feel like shit over and over again.

The Vogue. Emporio Armani dress.

It ends with the gorgeous piano piece, “teenage dream” which is a flipside to the first song’s confidence: “When will I stop being great for my age and just start being good?” ending with what I can only imagine will be iPhone light waving lyric anthem at some point in a stadium somewhere at some point in her career: 

Yeah, they all say that it gets better, it gets better, but what if I don’t? They all say that it gets better, it gets better, the more you grow…. but what if I don’t?

Rating

Each track in GUTS encapsulates a different aspect of Rodrigo’s journey, from dealing with fame and heartbreak to navigating personal insecurities and growth. This diversity makes GUTS a resonant and impactful album, showcasing Rodrigo’s evolution as an artist. It’s an album which in my view at least, outshines SOUR.

It’s so entertaining to listen to – I thoughouhly recommend it.

9.0/10

Chris Garrod, December 2, 2023

Review: Sparklehorse and the Tragic Beauty of Mark Linkous and 2023’s “Bird Machine”

Sparklehorse – which I can’t think of really being anything other than Virginia native Mark Linkous – has, in the fall of 2023, released his last, and maybe most remarkable album, “Bird Machine.”

I remember buying out of the blue and listening to his debut: “Vivadixiesubmarinetransmissionplot,” as a solicitor training in London. It brings back lots of late 1995 memories. It was also an incredible album.

I love the way – when describing Spaklehorse – AllMusic states: “The project of Mark Linkous, Sparklehorse’s noisy rock, pastoral folk, psychedelic pop, and gently devastating ballads were always grounded in empathy.” Noisy rock, folk, psychedelic pop, ballads… grounded in empathy. That is one big stew.

Linkous recorded four albums before his death. In 2010, on Saturday, 6 March, in Knoxville, Tennessee, he took his own life with a shotgun, shooting himself in the heart in an alley outside a friend’s home. He was only 47.

He had a lot of personal struggles, to say the least.

Before that, after “Vivadixiesubmarinetransmissionplot” became somewhat heralded in the indie circuit, Linkous experienced a life-altering incident while on tour with Radiohead in 1996. After ingesting a mix of Valium and antidepressants, he passed out in the bathroom of his hotel room in London with his legs pinned beneath him. He remained in that position for almost 14 hours, which cut off circulation to his legs. The lack of blood flow caused him to go into cardiac arrest when the paramedics attempted to straighten his legs. 

He technically died for a couple of minutes but was revived by the emergency medical team.

This incident led to a grueling series of surgeries for Linkous. He had to undergo multiple operations to save his legs from amputation, and during this period, he used a wheelchair for six months. Despite the severity of the incident, he managed to recover to the point of walking again, although with difficulty. Sparklehorse’s second LP, “Good Morning Spider,” was released around this time, and Linkous would perform in a wheelchair.

He released two further albums, “It’s a Wonderful Life” and “Dreamt for Light Years in the Belly of a Mountain” (Danger Mouse and Linkous’ collaboration, “Dark Night of the Soul” came out soon after Linkous took his own life in 2010… but it doesn’t feel like a real Sparklehorse album.)

Now we’re in late 2023, and thirteen years following Mark Linkous shooting himself to death, we have “Bird Machine.

This post took me a while to write.

His family was left behind what was an almost complete “Bird Machine” before Linkous took his own life. It was to be Sparklehorse’s fifth album. Linkous had even kept handwritten notes featuring Bird Machine’s title and tracklist. He had begun working on it with producer Steve Albini.

So it was left to his family – his brother Matt and sister-in-law Melissa – to help complete the project in early 2023 (plus nephew Spencer, who provided additional vocals.)

Verdict: it’s great.

I think Linkous would have adored this album – this is Sparklehorse at its finest, primarily low beat, often fuzzy, spacey noise-pop, but with sprinklings of beauty such as “Evening Star Supercharger.

It can be like the first track, “It Will Never Stop,which is about as noisy as he gets (on first listen, someone else asked me, “Is this music?!”). But the album will move on to the simple, acoustic beauty of “Falling Down.” and its haunting lyrics, “I Keep on falling down. To be found by the plow. Years from now. Keep on falling down.

The most heartbreaking song is “Stay,” the closer, with its simple lyrics: “Stay today. Stay for the day. Oh, it’s gonna get brighter. Stay for the day.”

Matt Linkous ultimately said of the project: “It means so much to me, this last batch of beautiful stuff that my brother was putting together. When I sit down and put on a pair of headphones, I’ll run it all the way through. Everything from ‘It Will Never Stop’ to ‘Evening Star Supercharger’ to ‘Stay’, that’s Mark just letting it out.”   

As one of the song titles suggests, Linkous “Fucked it up real Good.” Because he took his own life, and I wish Mark Linkous was still here.

But I’m so glad to finally get “Bird Machine.

9/10

Chris Garrod, November 18, 2023

PS: Do buy/rent but watch the 2022 documentary “This is Sparklehorse” if you can…

Review: The xx’s Romy has made “Mid Air” the best EDM album of 2023 and, possibly in doing so, the best album of 2023.

Romy Madley Croft, 34, is the lead singer and guitarist of The xx, but it took me a few listens to this glorious solo debut, “Mid Air,” to realize that – but it doesn’t matter. 

She’s come out (of the closet), but she comes out as one helluva amazing dance and club artist on this album.

She’s introspective and extroverted. The beautiful piano-based opener, “Loveher,” has lines like: “Hold my hand under the table. It’s not that I’m not proud in the company of strangers. It’s just some things are for us.” And then: 

Lover, you know, when they ask me, I’ll tell them. Won’t be ashamed, no, I can’t wait to tell them.”

It’s gorgeously crafted over a pumping, electronic bass line and lays down the marker of this, oh, so very much being a club album. Madley Croft has described it as a “celebration, sanctuary and salvation” of the queer clubs and dance floors that made her champion a sound she calls “emotional music to dance to.”  

The whole theme of this album is emotional dance music. The inner label of the pink vinyl copy of the LP, which I was able to nab while on a week’s visit to London recently, states boldly:

ARE YOU EMOTIONAL? DO YOU WANT TO DANCE?

Following the opener, the juices flow – and flow. “Weightless,” – co-produced by Madonna collaborator Stuart Price (see “Confessions on the Dance Floor“), follows with her singing with a growing, growing groove: “And I didn’t believe I deserved to feel this high up above the ground. And when she looks at me, I hide how I feel.

But I think that she’s figured it out.

She takes an emotional turn with a track like “The Sea,” co-written by Fred Again.., with Ibiza vibes swirling all around, as she laments about a lost love she fell in love with by the sea, who didn’t return the same feelings. “She says “Don’t play that game with my heart and don’t say it’s love if it’s not.””

On one of the album’s highlights – its lead single from November 2022, “Stong,” she co-produces with Fred Again.. (and Stuart Price), and here, the album… really takes off. 

You don’t have to be so strong,” she pleads… “Let me be someone

You can lean on

I’m right here.”

This is all sung into a fantastic club beat; it takes you back to the mantra of this album: “Are you feeling emotional? Do you want to dance?

So, at this point, we have two tracks following, “Twice” and “Did I” which played together sound like one uplifting roar of the danceable. It takes a few listens to appreciate, but I honestly am at the point where I need to put this album on shuffle because I’m so used to it. These two tracks show that. First, the gradual rise of “Twice”

Who am I to deny
The shivers running down my spine
And how I’m dying inside
Every time we say goodnight?

Then, “Did I“?

Did I do what I’ve always done?
Leave the room with the fire on
Did I, did I, did I?

The very soon-to-follow “Enjoy Your Life” makes this album.

Romy: “When I heard the line, “My mother says to me enjoy your life” by Beverly Glenn-Copeland, I was speechless. Those few words felt like the most simple and disarming sentence. Ever since I was 11, I’ve been aware of and drawn to the phrase, life is short. I’ve felt inspired by people who I’ve seen react to this by trying to see the positives in life, even when things are going wrong and times are hard.

I wish I could say the song is an incredible club anthem, but that leaves incredibleness with a bad taste in my mouth. This will be my song of 2023.

If you don’t like this song, I’m sorry.

She swings back into introversion with lyrics like: “Ooh, somebody tell me why.
I’m scared to close my eyes. And I’m too afraid to watch the news
.”

But then, an opening: “Ooh, dancing on my own again. Anxiety, my old friend. Since why would you try somethin’ new?

And then: “I made a promise to my mother. To stop runnin’ from my problems. “Oh, now,” she said to me,

Enjoy your life

It becomes an amazing, uplifting, and incredible song for anyone to dance to. Whether you are a Baby Boomer, Generation X, Y, or Alpha, it doesn’t matter. Just dance and love life.

We finish with the lovely, three-minute “She’s On My Mind“, which is simply, a turnaround from the opener “Loverher“, with lyrics such as: “My mind just can’t explain it. No, I can’t find the words. But I don’t care anymore. Think I’m in love. With her.”

She doesn’t care anymore. No more worried about holding hands under the table. “I don’t care anymore.

Don’t care anymore.”

The album is then done.

Romy Madley Croft, after The xx’s other members, has finally produced her own debut album, and the result is superb.

9.75/10

Chris Garrod, October 2nd, 2023

Review: From 2008, Melody Gardot’s beautiful debut, “Worrisome Heart” remains a must-listen today.

First, the remarkable journey that led to the creation of “Worrisome Heart.” 

A near-fatal bicycle accident, hit by an SUV, left Philadelphia-born jazz folkie Melody Gardot, at only 19, with severe injuries, including a traumatic brain injury, which shaped her relationship with music and art.

Her recovery process catalyzed her songwriting, infusing her music with a depth of emotion and authenticity that is utterly palpable throughout this album.

Since the accident, Gardot has struggled with short-term memory loss.

In her great 2018 npr.org interview with Scott Simon, “That forces her to write and record compositions before she forgets them. Furthermore, her heightened sensitivity to light and sound — which, despite hearing devices and sunglasses — makes performing somewhat difficult. But she says she still finds it enjoyable.”

But honestly, this backstory adds an extra layer of resonance to the already rich tapestry of simply, her music.

The album opens with the title track, “Worrisome Heart,” a slow and sultry starter that immediately establishes Gardot’s signature sound. With a voice that effortlessly oscillates between vulnerability and strength, she weaves a narrative of love’s complexities, setting the tone for the following emotional journey.  She sings: “I would be lucky to find me a man. Who could love me the way that I am. With all my troubling ways.”

And she means it.

As the album unfolds, tracks like “All That I Need Is Love” and “Gone” continue highlighting Gardot’s mastery of blending jazz and blues, with pop elements, creating a timeless and contemporary sound. When she sings along with the clarinetist in “All That I Need Is Love,” it is beautiful… and fun.

Sweet Memory,” with its bossa nova undertones, is a change in pace that offers an audible journey to sun-soaked beaches and the rhythmic sway of a distant, nostalgic romance. Gardot’s ability to shift effortlessly between genres is impressive.

One cannot review “Worrisome Heart” without mentioning “Some Lessons.” This track is the heart of the album. The discovery of music as a healing form is hauntingly translated into this ballad. The raw lyrics like “When you’re born a lover, you’re born to suffer” mirror life’s fragility and its potential for regeneration and rebirth.

Musically, “Worrisome Heart” is an amalgamation of jazz, blues, and folk. The instrumentation is subtle yet effective. Gentle guitars, soft percussion, and the occasional harmonica or piano create a minimalist backdrop over which Gardot’s vocals dance. This stripped-down approach ensures that the emphasis remains on the storytelling and emotion of the songs.

One of the standout tracks, “Goodnite,” exemplifies this perfectly. The penultimate track, a lullaby of sorts, and its delicate guitar plucking combined with Gardot’s whispered vocals create an ambiance of warmth and intimacy. It’s such a simple song, yet it’s hard to shake off long after the track has ended. It has an almost cinematic imagery:

Close your eyes now. Time for dreams. Love is here tonight.” 

This is the sort of lullaby one wishes to be serenaded with, a gentle reminder of love’s presence even in the quietest of nights.

In one simple song, “Love Me Like A River Does” she kills you with just one line:

Love me like a river. Baby don’t rush, you’re no waterfall. 

Love me, that is all“.

Worrisome Heart” is more than just an album; it’s an experience. Melody Gardot’s debut introduced the world to a singular voice that defies categorization. This album is a testament to the power of music to convey feelings, tell stories, and connect people across time and space. 

The concise nature of the album makes it – to me – even more alluring. It is very digestible, but also crafted with precision. Every note, every whisper, every sigh feels deliberate and perfectly placed. There’s a spaciousness to the production that lets each instrument and vocal nuance breathe, making for a listening experience that’s immersive and rewarding.

Listeners familiar with the likes of Norah Jones or Madeleine Peyroux will find a kindred spirit in Gardot (I initially did). However, while there are similarities in their soft, jazz-inflected tones, Gardot carves her own niche. She’s not just another voice; she’s a storyteller. With each song, she weaves a tapestry of emotions that resonates on a deeply personal level.

In conclusion, Melody Gardot’s “Worrisome Heart” is a fantastic debut that stands the test of time. I’m reviewing it in 2023, and it was released in 2008 – but it still sounds as fresh as any new releases I’ve heard this year.

It’s an intimate reflection of life’s dualities, sorrows, and joys. With her unique voice and heartfelt lyrics, Gardot beckons listeners to journey with her, ensuring that their hearts, though perhaps a bit worrisome, are undoubtedly full by the end.

For those not yet introduced to Melody Gardot, “Worrisome Heart” is the perfect entry point.

9.75/10

Chris Garrod, August 30, 2023

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